26ba Race and Pedagogy Project - Teaching Resources » Teaching Immigration Issues

Teaching Immigration Issues

Lesson Plan: Laviera’s Bilingual “AmeRíca”

Assigned Reading:
“AmerRícan” by Tato Laviera

american.jpgDiscussion Questions:
1.La Bomba and La Plena: The influence of music on Laviera’s poetry.
In “AmeRícan” Laviera makes several references to traditional Puerto Rican music. He mentions the composer Pedro Flores (13), “sweet soft spanish danzas gypsies” (15), “beating jíbaro” (18) and “walking plena-rhythms in new york” (32).

Watch the film clip of Los Pleneros de los 21 playing “Testigo” at the Smithsband_photo_2005.jpgonian Folk Folklife Festival, 2005. Also watch Los Pleneros’ demonstration of how the drums are played in Plena music. Los Pleneros de los 21 are a New York-based music group that plays Bomba and Plena, two African-based music styles that have flourished among the black communities of Puerto Rico proper and American Puerto Rican neighborhoods. Bomba and Plena are the result of the blending of various influences, including West African music, European music and Native Taino music. (Read the article)

Lesson Plan:Borderlands/La Frontera: The New Mestiza.

borderlands-book.jpgAnzaldúa’s book is theoretical, political, poetical, and personal. Writing about external, communal, and individual borderlands from a position on, around, and between those borders, Anzaldúa subversively advocates a political mobilization around the “mestiza consciousness,” for only multiplicity—internal as well as external—can break down the “subject-object duality that keeps her [one] a prisoner” (80). Anzaldúa identifies herself as a Chicana lesbian feminist from the tejas-Mexican border, and she writes of the contradictions and coalitions she must negotiate between these multiple identities. Her gender and sexuality, for example, are at odds with patriarchal culture, but she inhabits these contradictory positions tactically. (Read the article)

Maria Full of Grace (Maria llena eres de gracia) (2004)

maria-full-of-grace.jpgWinner of the Dramatic Audience Award at the 2004 Sundance Film Festival and two major awards at the Berlin Film Festival, Maria Full of Grace is one young woman’s journey from a small Colombian town to the streets of New York. A bright, spirited 17-year old, Maria Alvarez (Catalina Sandino Moreno) lives with three generations of her family in a cramped house in rural Colombia and works stripping thorns from flowers in a rose plantation. The offer of a lucrative job involving travel—in fact, becoming a drug “mule”—changes the course of her life. Far from the uneventful trip she is promised, Maria is transported into the risky and ruthless world of international drug trafficking. Her mission becomes one of determination and survival and she finally emerges with the grace that will carry her forward into a new life. Directed by Joshua Marston. In Spanish, with English sub-titles. An HBO films / Fine Line Features release.

From: “Synopsis,” HBO Films / Fine Line Features. http://www.mariafullofgrace.com/index.html (Read the article)

Angel Island Web Resources

KQED Education Initiatives Organization Website
This multimedia site includes lesson plans, a movie about the island, sound clips of poems and photos.

Angel Island Organization

This site, which is associated with the California Department of Parks and Recreation, includes a history of the island, photos and an Angel Island Webcam.

Angel Island Immigration Station Foundation (AIISF)
This site includes historical background, phots and information about how to get involved with the foundation.

Oral History Site by Lydia Lum
This site, created by Lydia Lum, is an ongoing oral history project collected from former Angel Island detainees. It includes photos and interviews.

Lesson Plan: Angel Island Poems

angel-island-detainees-web.jpgThe following are some questions about the Angel Island poems that an instructor or TA could use to prompt class discussion. One approach I recommend is to have students form small groups and come up with answers which they then share with the class. Alternatively, you could focus one whole class around one of these questions. For example, I ran a 45 minute class discussion on the “Line between graffiti and art” question by bringing in photocopies of images from the graffiti websites and getting students to debate whether or not they thought those images were art. (Read the article)

Defining Race and Pedagogy

Although these terms are often used as though they signified clear and well-bounded meanings, both words have complex histories and implications that are frequently only discernable once one considers the contexts in which they are used. For the purposes of this site, we offer the following definitions: (Read the article)

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